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The loud ones. Open like a faucet, or the throttle of a car engine.
These use repetition of a single sound with a beginning and an end to create stasis, rather than a continuous sound with no temporal features.
These ones feel to me like the sound has two layers - a membrane on top, and another pushing (seeping?) through it.
These pieces ask how much evolution can really take place in a piece before stasis is no longer perceived.
A pleasant ending after all this mess.
Barely there. Most speakers will not play these tracks at all.
released March 20, 2019
Brendan Landis - tapes, synths, drum machines, contact mics, post processing
This is Of Plants #32.